AP® African American Studies review sheet from Aim for Five (aimforfive.com/african-american-studies/units/4/4-17)
Unit 4 · Topic 4.17
4.17 The Evolution of African American Music: From Spirituals to Hip-Hop
From spirituals to hip-hop, African American music has built on African musical traditions like call and response and improvisation, and it has shaped American and global music, including rock and roll. Hip-hop, born in the Bronx in the 1970s, carried forward the Black Freedom movement's ideas and became a worldwide culture.
Key terms
- call and response
- syncopation
- rhythm and blues (R&B)
- rock and roll
- hip-hop
- breakdancing
African roots
Since their ancestors first arrived in the Americas, African Americans have built their music on African-based elements: improvisation, call and response, syncopation, storytelling and the fusion of music with dance. In the required essay 'The Evolution of African American Music' (1980), the ethnomusicologist Portia K. Maultsby traces how these elements carried through from spirituals to later genres.
A chain of genres
The African American musical tradition includes spirituals (2.9), blues and jazz (3.14), gospel, rhythm and blues (R&B), soul, funk and hip-hop. It has transformed American genres like rock and roll and international ones like Latin jazz. It expresses joy, hope and creativity alongside social critique, in the middle of ongoing racism.
Rock and roll grew from Black music. Performers like Sister Rosetta Tharpe, a gospel singer and electric guitarist, Bo Diddley and Little Richard combined gospel and the blues with new rhythms and electric instruments. The required live performance by Ruth Brown, an early R&B star of the 1950s, shows the sound that fed into rock and roll.
The birth of hip-hop
Hip-hop is a culture created in the 1970s by young Black and Latino people in New York City's Bronx, a neighborhood hit hard by poverty and disinvestment. It grew into a global phenomenon. Its elements:
- DJing: DJs like Kool Herc, often credited with starting hip-hop at Bronx parties in 1973, played records by artists like James Brown and extended 'the break', the instrumental part of a song, by switching between two copies of a record. DJs like Grandmaster Flash developed turntable techniques such as precise mixing and scratching.
- MCing (rapping): rhyming over the beat, which began as DJs and MCs added vocals to hype the crowd and became modern rap music.
- Breaking: dancers called b-boys and b-girls showed off new moves during the extended breaks, alone or in crews. The required 1984 photo shows breakdancers in New York.
- Graffiti: an older art form that became part of hip-hop. 'Writers' covered walls, bridges and subway cars, and the artist Jean-Michel Basquiat first became known through graffiti.
Hip-hop and politics
Hip-hop came of age in the wake of the Black Freedom movement and the Black Arts movement (4.10). It borrowed Black Panther and Afrocentric fashion, Black nationalist ideas, jazz and spoken poetry to express African American experiences and identities.
After the Black Power movement declined, hip-hop gave voice to ongoing political struggles and reflected on Black America's past, present and future. Artists from Queen Latifah to Kendrick Lamar have raised awareness of political issues for audiences around the world.
Worked examples
Try each one yourself first, then open the solution.
- Example 1
Tracing continuity
Explain how hip-hop shows continuity with earlier African American musical traditions.
Show the solutionHide the solution
- Step 1: Name an African-based element: call and response, improvisation, rhythm, storytelling or dance.
- Step 2: Show it in an earlier genre: spirituals, the blues or jazz.
- Step 3: Show it in hip-hop: MCs and crowds, freestyle rhymes, breaking.
Answer: Model answer: Hip-hop continues African-based elements found throughout African American music. Like spirituals and the blues, it uses call and response between performer and audience, and like jazz, it values improvisation, as in freestyle rapping. It also fuses music and dance, as breaking does, and it continues a tradition of storytelling and social critique that runs from spirituals to protest songs.
Common mistakes
- Treating hip-hop as only music. It's a culture that includes DJing, MCing, breaking and graffiti.
- Forgetting Black artists' role in creating rock and roll.
- Listing genres without connecting them. Show the shared African-based elements.
On the exam
- Questions may ask you to trace a musical element across time. Use at least two genres as evidence.
- Connect hip-hop to the Black Arts movement (4.10) and to the freedom songs of the 1960s (4.8).
Connected topics
Videos
Check yourself
4 questions on 4.17 The Evolution of African American Music: From Spirituals to Hip-Hop. Pick an answer to see if you got it, and why.
Performers such as Sister Rosetta Tharpe, Bo Diddley and Little Richard are often credited with laying the foundation for
In the Bronx in the 1970s, DJs at block parties played records by funk artists like James Brown and used two turntables to extend the instrumental "break" in a song. Dancers known as b-boys and b-girls competed during the breaks, MCs added rhymes over the music, and graffiti writers painted names and images on walls and subway cars.
Passage written for this practice set, summarizing scholarship on the origins of hip-hop
The passage best shows that hip-hop began as
Extending the "break" mattered mainly because it
Hip-hop is often connected to earlier movements because it
0 of 4 answered