AP® English Language and Composition review sheet from Aim for Five (aimforfive.com/lang/units/2/2-2)
Unit 2 · Topic 2.2
2.2 Appeals: reaching an audience's emotions, values and trust
Appeals are the ways writers give an audience reasons to accept an argument: by connecting to their emotions and values, by giving them logic and evidence, and by earning their trust. You may know them as pathos, logos and ethos, but the exam rewards explaining what a choice does for the audience, not just naming the appeal.
Key terms
- appeal
- ethos
- pathos
- logos
- credibility
What an appeal is
An appeal is a way of reaching an audience so that they'll accept an argument or act on it. Writers appeal to what the audience feels, what they value, how they reason, and whom they trust. Most strong texts use several appeals at once.
The classical labels
| Label | Reaches the audience through | Often looks like |
|---|---|---|
| Ethos | Trust in the writer's character, knowledge or fairness | Credentials, shared identity, fair treatment of opponents, careful tone |
| Pathos | Emotions and deeply held values | Vivid stories, charged words, images of suffering or hope, appeals to pride or fear |
| Logos | Reasoning and evidence | Statistics, cause-and-effect chains, if-then logic, examples, comparisons |
Naming isn't analyzing
Here's a sentence that earns almost nothing on an essay: "Stanton uses ethos and pathos to persuade her audience." It names labels but says nothing about this text, this audience or this purpose.
Here's a sentence that does the work: "By copying the Declaration of Independence's famous opening, Stanton dresses a radical demand in the most respected language in America, which makes rejecting her claim feel like rejecting the nation's founding ideals." It names a specific choice, explains how it reaches the audience, and ties it to the purpose. Notice it doesn't need the Greek words at all.
Use the labels as a private checklist while you read, if they help. In your writing, describe the move and its effect.
Appeals overlap
One choice can do several jobs. A soldier's letter quoted in a speech can stir emotion, lend authority and serve as evidence at the same time. Don't force a choice into a single box. Ask what it does, and you'll often find two or three effects worth explaining.
Which appeals fit which situation
Writers lean on different appeals depending on the rhetorical situation. A skeptical audience of experts usually wants careful reasoning and a writer who seems fair and informed; heavy emotion may make them suspicious. A friendly crowd at a rally may respond most to shared values and stirring images. A writer the audience doesn't know, or doesn't yet trust, often has to build credibility first, by showing knowledge, admitting limits or naming common ground, before any other appeal can land.
So when you analyze an appeal, connect it to the situation: why this appeal, for this audience, at this moment?
Worked examples
Try each one yourself first, then open the solution.
- Example 1
Analyzing an appeal without label-dropping
At the Seneca Falls Convention in July 1848, women's rights activists adopted a Declaration of Sentiments, written mainly by Elizabeth Cady Stanton. It begins with a familiar sentence, slightly changed: "We hold these truths to be self-evident: that all men and women are created equal; that they are endowed by their Creator with certain inalienable rights; that among these are life, liberty, and the pursuit of happiness." Explain how this choice appeals to the audience.
Show the solutionHide the solution
- Step 1: Identify the choice: Stanton copies the Declaration of Independence almost word for word, adding "and women."
- Step 2: Identify the audience: Americans in 1848 who revered the Declaration, many of whom opposed women's rights.
- Step 3: Ask what the copying does. It borrows the Declaration's authority (trust), stirs patriotic pride (values and emotion), and sets up a logical trap: if readers accept the original, they must explain why women are left out (reasoning).
- Step 4: Write the analysis around the effect, not the labels.
Answer: Model paragraph: Stanton's opening borrows the most respected sentence in American politics and changes it by only two words, "and women." Because her audience treated the Declaration of Independence as close to sacred, the echo makes her demand sound less like a radical break and more like the completion of a promise the nation had already made. The small addition also traps opponents: to reject Stanton's sentence, they would have to explain why the founders' logic applies to men alone, a position that sits uneasily with the patriotism they claim.
Common mistakes
- Writing "the author uses pathos" with no explanation of what the choice does for this audience.
- Assuming pathos just means making readers sad. Emotional appeals can stir pride, anger, fear, hope or guilt.
- Treating logos as only numbers. Reasoning, analogies and cause-and-effect chains appeal to logic too.
- Forcing every choice into exactly one appeal when it clearly does several jobs.
On the exam
- Reading questions usually ask what a choice does, such as "establishes the speaker's credibility" or "evokes sympathy for," rather than asking for the Greek label. Practice describing effects in plain words.
- In Question 2, the scoring guidelines reward explaining how choices work, not identifying devices. A paragraph that names three appeals without explanation stays at the low end of Row B.
Connected topics
Videos
Check yourself
3 questions on 2.2 Appeals: reaching an audience's emotions, values and trust. Pick an answer to see if you got it, and why.
Abraham Lincoln, Second Inaugural Address, delivered at the U.S. Capitol on March 4, 1865, in the final weeks of the Civil War, before a crowd that included officials, soldiers and ordinary citizens. Lincoln had been reelected; the Union was close to victory.
The image of "every drop of blood drawn with the lash" being "paid by another drawn with the sword" (paragraph 3) appeals to the audience mainly by
The final paragraph, which begins "With malice toward none, with charity for all," appeals to listeners' values mainly by
Booker T. Washington, a formerly enslaved educator who led Tuskegee Institute in Alabama, speech at the opening of the Cotton States and International Exposition in Atlanta, Georgia, September 18, 1895, as printed in his autobiography Up from Slavery (1901). The audience was mostly white Southerners, with Black listeners seated separately, and newspapers across the country reported the speech. Some text is omitted between paragraphs 1 and 2 and between paragraphs 2 and 3, and ellipses mark omitted text within paragraph 3.
In paragraph 3, the description of Black Southerners who "tilled your fields, cleared your forests, builded your railroads and cities" appeals mainly to the white audience's
0 of 3 answered