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Unit 7 · Topic 7.5

7.5 Arranging sentences and clauses for emphasis

Where an idea appears controls how much attention it gets. Writers arrange sentences within a paragraph, and clauses and words within a sentence, so the most important idea lands where readers notice it. Periodic and cumulative sentences are two classic patterns.

Key terms

  • emphasis
  • sentence arrangement
  • periodic sentence
  • cumulative sentence
  • syntax

Arranging sentences in a paragraph

Readers pay special attention to the first and last sentences of a paragraph. Writers often put the claim first, so readers know where they're going, or build to it at the end, so it lands with force. A short sentence after several long ones also stands out, because the change in rhythm makes readers slow down.

When you revise a paragraph, ask whether each sentence is in the place that best serves the argument. Writing questions on the exam sometimes ask where a sentence should be placed, or whether a sentence should be moved, added or cut. The best placement usually follows the logic: claim, then evidence, then explanation, with each sentence connected to the one before it.

Arranging words within a sentence

In English, the end of a sentence is the natural place of emphasis. Writers use that by saving the key idea for last, or by breaking normal word order so a word stands out.

PatternHow it worksEffect
Periodic sentenceMain clause held until the end, after modifiers and dependent clausesBuilds suspense; the point lands hard
Cumulative (loose) sentenceMain clause first, then details added one after anotherFeels natural; piles up support or description
InversionNormal word order reversedSpotlights the word moved to the front
ClimaxItems arranged from least to most importantBuilds intensity
AntithesisOpposing ideas in balanced, parallel structureSharpens a contrast

Patterns in public-domain speeches

Abraham Lincoln's Second Inaugural Address (1865) uses inversion: "Fondly do we hope, fervently do we pray, that this mighty scourge of war may speedily pass away." Moving "fondly" and "fervently" to the front stresses how deeply the nation longs for peace.

Franklin D. Roosevelt's First Inaugural Address (1933) uses a cumulative structure: "So, first of all, let me assert my firm belief that the only thing we have to fear is fear itself—nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance." The main claim comes early; the details added after the dash explain what kind of fear he means and why it's dangerous.

Analyzing arrangement

When you write about arrangement, don't just name the pattern. Explain what the order emphasizes and why that emphasis serves the writer's purpose. "Lincoln uses a periodic sentence" earns little credit by itself; "Lincoln delays his main clause so the audience must sit through the full cost of slavery before hearing his verdict" is analysis.

Worked examples

Try each one yourself first, then open the solution.

  1. Example 1

    A periodic sentence in Lincoln's Second Inaugural

    Abraham Lincoln, Second Inaugural Address, March 4, 1865 (public domain; text from the Project Gutenberg collection of inaugural addresses). Lincoln has just said he hopes the war will end soon. He continues: "Yet, if God wills that it continue until all the wealth piled by the bondsman's two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said 'the judgments of the Lord are true and righteous altogether.'" Explain how the arrangement of this sentence supports Lincoln's purpose.

    Show the solution
    1. Step 1: Find the main clause: "so still it must be said" plus the quotation from Psalm 19. It comes at the very end.
    2. Step 2: Look at what comes first: a long "if" clause with two parallel "until" clauses about unpaid labor ("unrequited toil") and violence ("drawn with the lash").
    3. Step 3: Identify the pattern: a periodic sentence, because the main idea is delayed.
    4. Step 4: Explain the effect: listeners must hear the full moral debt of slavery before Lincoln states his conclusion, so the war's suffering sounds like justice rather than random disaster.
    5. Step 5: Connect to audience: a Bible-reading nation, North and South, would recognize the psalm, which gives the verdict a religious authority beyond Lincoln's own.

    Answer: Model paragraph: Lincoln arranges this sentence so that his audience must weigh the entire cost of slavery before they hear his verdict on the war. Two parallel "until" clauses describe the debt in concrete terms, "two hundred and fifty years of unrequited toil" and "every drop of blood drawn with the lash," and Lincoln holds back his main clause until both are complete. Only then does he declare that "still it must be said" that "the judgments of the Lord are true and righteous altogether," quoting a psalm his listeners would know. Because the conclusion comes last, after the evidence has piled up, it feels less like Lincoln's opinion than like the only answer the facts allow, which helps him prepare a weary nation to see the war as a judgment on a shared national sin.

Common mistakes

  • Naming "periodic sentence" or "inversion" without explaining what the arrangement emphasizes and why.
  • Burying your own main point in the middle of a long sentence or paragraph. Put key claims at the start or the end.
  • Moving a sentence in a writing question because it "sounds better" instead of checking whether it follows logically from the sentence before it.

On the exam

  • Writing questions may ask where a sentence best fits in a paragraph. Look for the spot where it connects to the sentence before and sets up the sentence after.
  • In the rhetorical analysis essay, one well-analyzed sentence structure, tied to purpose and audience, is worth more than a list of five devices.

Connected topics

Videos

  • AP English Language: Advanced Syntax

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  • Periodic and Cumulative Sentences

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Check yourself

3 questions on 7.5 Arranging sentences and clauses for emphasis. Pick an answer to see if you got it, and why.

Paragraph 1
STUDIES serve for delight, for ornament, and for ability. Their chief use for delight, is in privateness and retiring; for ornament, is in discourse; and for ability, is in the judgment, and disposition of business. For expert men can execute, and perhaps judge of particulars, one by one; but the general counsels, and the plots and marshalling of affairs, come best, from those that are learned. To spend too much time in studies is sloth; to use them too much for ornament, is affectation; to make judgment wholly by their rules, is the humor of a scholar. They perfect nature, and are perfected by experience: for natural abilities are like natural plants, that need proyning, by study; and studies themselves, do give forth directions too much at large, except they be bounded in by experience. Crafty men contemn studies, simple men admire them, and wise men use them; for they teach not their own use; but that is a wisdom without them, and above them, won by observation. Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts; others to be read, but not curiously; and some few to be read wholly, and with diligence and attention. Some books also may be read by deputy, and extracts made of them by others; but that would be only in the less important arguments, and the meaner sort of books, else distilled books are like common distilled waters, flashy things. Reading maketh a full man; conference a ready man; and writing an exact man. And therefore, if a man write little, he had need have a great memory; if he confer little, he had need have a present wit: and if he read little, he had need have much cunning, to seem to know, that he doth not.

Francis Bacon, "Of Studies," from Essays (1625 edition); the opening of the essay, in a modernized-spelling text that keeps some older forms: "proyning" means pruning, "contemn" means scorn, "conference" means conversation, and "maketh" means makes.

Question 1 of 3

The sentence "Crafty men contemn studies, simple men admire them, and wise men use them" is arranged so that

Question 2 of 3

In the sentence "Reading maketh a full man; conference a ready man; and writing an exact man," the semicolons mainly serve to

Paragraph 1
I read the other day some verses written by an eminent painter which were original and not conventional. The soul always hears an admonition in such lines, let the subject be what it may. The sentiment they instil is of more value than any thought they may contain. To believe your own thought, to believe that what is true for you in your private heart is true for all men,—that is genius. Speak your latent conviction, and it shall be the universal sense; for the inmost in due time becomes the outmost, and our first thought is rendered back to us by the trumpets of the Last Judgment. Familiar as the voice of the mind is to each, the highest merit we ascribe to Moses, Plato and Milton is that they set at naught books and traditions, and spoke not what men, but what they thought. A man should learn to detect and watch that gleam of light which flashes across his mind from within, more than the lustre of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty. Great works of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility then most when the whole cry of voices is on the other side. Else to-morrow a stranger will say with masterly good sense precisely what we have thought and felt all the time, and we shall be forced to take with shame our own opinion from another.
Paragraph 2
[. . .] The other terror that scares us from self-trust is our consistency; a reverence for our past act or word because the eyes of others have no other data for computing our orbit than our past acts, and we are loath to disappoint them.
Paragraph 3
But why should you keep your head over your shoulder? Why drag about this corpse of your memory, lest you contradict somewhat you have stated in this or that public place? Suppose you should contradict yourself; what then? It seems to be a rule of wisdom never to rely on your memory alone, scarcely even in acts of pure memory, but to bring the past for judgment into the thousand-eyed present, and live ever in a new day.
Paragraph 4
[. . .] A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall. Speak what you think now in hard words and to-morrow speak what to-morrow thinks in hard words again, though it contradict every thing you said to-day.—‘Ah, so you shall be sure to be misunderstood.’—Is it so bad then to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.

Ralph Waldo Emerson, "Self-Reliance," from Essays: First Series (1841). Bracketed ellipses mark omitted text.

Question 3 of 3

The sentence "To be great is to be misunderstood" is placed at the end of paragraph 4 mainly to

0 of 3 answered