AP® European History review sheet from Aim for Five (aimforfive.com/euro/units/9/9-14)
Unit 9 · Topic 9.14
9.14 20th- and 21st-Century Culture, Arts, and Demographic Trends
Two world wars and the Depression shook faith in reason and progress. Existentialist thinkers asked how to live in a world without given meaning, artists broke every rule with Futurism, Dada and Surrealism, and Bauhaus designers stripped buildings to their function. Churches responded to dictatorship in mixed ways and the Catholic Church modernized at Vatican II, while a baby boom, a youth culture and the protests of 1968 reshaped postwar society.
Key terms
- existentialism
- postmodernism
- Dada and Surrealism
- Second Vatican Council
- baby boom
- 1968 protests
Philosophy: existentialism and postmodernism
Existentialism grew out of the experience of war and occupation. Its leading voice, the French philosopher Jean-Paul Sartre, argued that humans are not born with a fixed nature or purpose; we exist first and then define ourselves through our choices. That makes us radically free and fully responsible for what we do, even in a universe with no God to give life meaning. Albert Camus, in novels such as The Stranger (1942), explored the absurd, the clash between our search for meaning and a silent world. Simone de Beauvoir applied existentialist ideas to women (9.8).
From the 1960s and 1970s, postmodernism went further. Thinkers such as Jean-François Lyotard and Michel Foucault were skeptical of grand narratives, big stories that claim to explain everything, such as steady progress or Marxist history, and argued that knowledge and truth are shaped by language and power. Postmodern art and architecture mixed styles, borrowed from popular culture and used irony.
Art and architecture
Twentieth-century artists rejected realistic representation and traditional ideas of beauty, as Cubism (7.8) had begun to do before 1914. Dictators attacked this art: the Nazis mocked modern works in a 1937 Degenerate Art exhibition, and the Soviet Union required socialist realism, art that glorified workers and the state.
| Movement | When and who | What it did |
|---|---|---|
| Futurism | Italy, from 1909; Filippo Tommaso Marinetti | Celebrated speed, machines, violence and war; many Futurists later supported Fascism |
| Dada | Zurich, 1916, during World War I; Hugo Ball, Tristan Tzara, Marcel Duchamp | Anti-art that mocked reason and convention, since reason had produced the war |
| Surrealism | Paris, 1924 manifesto by André Breton; Salvador Dalí, René Magritte | Drew on Freud to paint dreamlike images from the unconscious |
| Bauhaus | German design school, 1919–1933; Walter Gropius | Simple, functional design for mass production: form follows function; closed under Nazi pressure |
| Abstract Expressionism | New York, 1940s–1950s; Jackson Pollock | Large, gestural abstract paintings; a sign that the art world's center had shifted to the United States |
| Pop Art | Britain and the United States, 1950s–1960s; Richard Hamilton, Andy Warhol | Borrowed images from ads, comics and consumer goods, often with irony |
Music and literature
Composers broke the rules too. Arnold Schoenberg gave up traditional keys for atonal music, Igor Stravinsky's The Rite of Spring (1913) shocked Paris with clashing rhythms (7.8), and Richard Strauss's operas, such as Salome (1905), pushed harmony to new extremes. Writers experimented with form and questioned Western values. Franz Kafka's The Trial (published 1925) shows a man crushed by a faceless system he cannot understand, while James Joyce's Ulysses (1922) and Virginia Woolf's Mrs Dalloway (1925) follow characters' streams of thought.
Religion in a secular age
Churches responded to dictatorship in mixed ways. The Catholic Church signed agreements with Mussolini (the Lateran Accords, 1929) and Hitler (the Concordat, 1933) to protect its institutions. Some Protestant pastors, such as Martin Niemöller and Dietrich Bonhoeffer of the Confessing Church, resisted Nazi control; Bonhoeffer was executed in 1945. The Soviet state persecuted the Orthodox Church, though Stalin relaxed pressure during World War II to boost patriotism. In communist Poland, the Catholic Church became a center of national resistance, especially after a Pole became Pope John Paul II in 1978 (9.7).
At the Second Vatican Council (1962–1965), the Catholic Church modernized: Mass could be said in local languages instead of Latin, the Church reached out to other Christians and religions, and it rejected the old charge that Jews as a people were guilty for Jesus's death. Even so, church attendance in Western Europe declined steadily, and society became increasingly secular.
Baby boom, youth and 1968
After 1945 birth rates rose sharply in a baby boom that lasted into the mid-1960s, encouraged in some countries by pronatalist policies, government measures to promote births such as France's family allowances and state child care. Then they fell, and by the late 20th century most European countries had fertility below the replacement level of about 2.1 children per woman. Combined with longer lives (9.12), this produced aging populations, which strained pension and health systems.
The boom generation grew up in prosperity, in homes that increasingly had electricity, indoor plumbing, plastics and synthetic fabrics, with more years in school and its own music, fashion and consumer culture. In 1968 student protests erupted across Europe against the Vietnam War, rigid universities, consumer society and established authority. In France, the protests of May 1968 spread to a general strike of millions of workers that seriously shook de Gaulle's government, although he won new elections that June. Students and workers also protested in West Germany, Italy and, in a different form, Czechoslovakia's Prague Spring (9.4).
The protest era fed new movements for civil rights, women's rights (9.8) and gay rights. England and Wales decriminalized sex between men in 1967, Denmark created registered partnerships for same-sex couples in 1989, and the Netherlands became the first country to allow same-sex marriage in 2001.
Worked examples
Try each one yourself first, then open the solution.
- Example 1
Connecting an art movement to its context
Explain ONE way the Dada movement reflected the historical context in which it emerged.
Show the solutionHide the solution
- Step 1: Identify when and where: Zurich, 1916, in neutral Switzerland during World War I.
- Step 2: Describe the art: deliberately absurd, anti-art performances and objects.
- Step 3: Connect: artists believed that the reason and values of European civilization had produced the slaughter of the war, so they mocked them.
Answer: Dada began in Zurich in 1916, in the middle of World War I, among artists who believed the war's mass slaughter proved that European civilization's faith in reason and progress was bankrupt. Their deliberately absurd performances and anti-art objects, such as Marcel Duchamp's signed urinal titled Fountain (1917), mocked the values and artistic traditions of the society that had produced the war.
Common mistakes
- Mixing up Dada and Surrealism. Dada (1916) was anti-art protest against the war; Surrealism (1924) used Freud's ideas to explore the unconscious.
- Describing all churches as either resisting or collaborating with dictators. Responses ranged from agreements to protect institutions to active resistance.
- Forgetting the demographic side of the topic: the baby boom, falling birth rates and aging populations.
On the exam
- Short-answer questions often use a painting or a manifesto. Name the movement, describe a visual or written feature and connect it to the wars or the Depression.
- 1968 is a strong example of change: youth culture, protest and new rights movements across both East and West.
Connected topics
Videos
Check yourself
4 questions on 9.14 20th- and 21st-Century Culture, Arts, and Demographic Trends. Pick an answer to see if you got it, and why.
The popularity of existentialism in the years after World War II is best explained by
The Second Vatican Council (1962–1965) is best described as an effort by the Catholic Church to
The protests of May 1968 in France are best described as
The Dada movement, begun in Zurich in 1916, is best understood as a response to
0 of 4 answered